15. Five Flavours: hands of the clock and the leaning tree
An uncertain youth turns into an old age full of grief, when life appears as an unlucky series of events that prevents from making the decision of choosing a right life partner.
An uncertain youth turns into an old age full of grief, when life appears as an unlucky series of events that prevents from making the decision of choosing a right life partner.
“Miso” means “happiness”. This is the name of the main character, although she is far from experiencing this feeling. There is no time for this, because from morning to night…
Mikami is a former yakuza who has been released after 13 years of prison. Despite the fact that the protagonist does not show special remorse for the murder he did years earlier, he decides to try to start life anew, this time legally, honestly.
“Verdict” is a shocking film that takes no prisoners. Raymund Ribay Gutierrez draws his story with such ruthless, naturalistic at times, firmness…
There is no doubt that VR has opened new avenues for apologists for immersive interactivity in the cinema. The film diegesis opens up to viewers…
“Beauty Water” by Cho Kyung-hun is an animation involved in the fight against the universal perception of human beauty and media patterns…
The Tibetan creator is looking at the conflict arising from the meeting of customs, beliefs and conservative culture with Chinese one-child policy.
Bulbul Can Sing talks about the tragedy of lost youth, taken by the conservative society. Adolescence, although it follows its natural path – the first, innocent love affairs, looks, and meetings – is brutally stopped.
Although SABU follows the well trodden paths – a portrait of an emotional killer is nothing new – he does it at the highest level, combining genres at least as efficiently as Bong Joon-ho (Parasite, Snowpiercer) and proving that using and playing with old clichés and narrative patterns do not have to be something bad.
Fruit Chan relishes violence in his film. Although he himself claims that his film is not anti-feminist, it’s hard not to get the impression that it is at least offensive. Heroes do not cause sympathy. This is a problem because they deviate from the norm. One is a cripple, the other a fool, the third a nitwit. It is the same different world we have met in the artist’s earlier films. This time, however, it is a world that causes more contempt than compassion or interest.