If someone asked me to describe in one word the character of Pedro Almodóvar’s cinema, I would say that it is sentimental. I could also invite that person to the Pain and Glory screening – a movie which is not only autotherapeutically approaching the artist’s biography, but also telling about the relationship between cinema and memories.
hu, having done a great selection work, shows cut fragments of streams, suggesting that perhaps these platforms gave the tenth muse a truly democratic value.
But Portrait of a Lady on Fire is not only a moving, feminine melodrama. It is a film created by a woman, in which women were responsible for the script, photos and editing, and only women appear on the screen, except for short anonymous moments at the beginning and end of the film.
Kursk tells us a story of a Russian submarine that tragically sank in the Barents Sea during the Northern Fleet maneuvers in August 2000.
Hirokazu Koreeda has risen to mastery in portraying family relationships. He began his career in the early 90s with television programs and documentaries.
Jagoda Szelc plays very effectively on fears deriving from rational-irrational tension. Fears that have become one of the fundamental elements of everyday life in Poland.
The masculine, brutal world is told from a woman’s perspective and with the addition of a classic dress-up motif.
TellTellingCinema is a non-cyclical series of podcasts devoted to cinema related issues.
In the second episode I talk about the 93th Academy Awards and the presence of disabled people during the gala.
The post TellTellingCinema: Oscars and disabled people first appeared on Zawieszony.pl.
