30-year-old director is balancing on the edge of reality very well. He can hypnotize the viewer, strengthen the projection-identification (3D works very strongly here), the viewer’s bond with the hero and the impression of intermingling worlds.
We can rarely find a director who not only creates a good film, but is also able to clearly present his or her intellectual foundation, which, moreover, is noticeable on the screen. This is what the young artist Eni Sendijarević managed to do in Take Me Somewhere Nice.
Olivier Laxe’s Fire Will Come proves that neomodernist cinema does not necessarily have to be lengthy. The latest film by the creator of warmly received Mimosas (NH16) is a showcase of neomodernism.
hu, having done a great selection work, shows cut fragments of streams, suggesting that perhaps these platforms gave the tenth muse a truly democratic value.
But Portrait of a Lady on Fire is not only a moving, feminine melodrama. It is a film created by a woman, in which women were responsible for the script, photos and editing, and only women appear on the screen, except for short anonymous moments at the beginning and end of the film.
The images that Diaz feeds us still hypnotize and incline to contemplation and spiritual experience of the film, realizing the creator’s assumption: “total cinema experience”.
TellTellingCinema is a non-cyclical series of podcasts devoted to cinema related issues.
In the second episode I talk about the 93th Academy Awards and the presence of disabled people during the gala.
The post TellTellingCinema: Oscars and disabled people first appeared on Zawieszony.pl.
