Since Dogs could be analyzed as a mirror of the male world just after Polish political transformation, we can assume that the last part of the series, Dogs 3: In the Name of the Rules, which has just hit the Polish cinemas, will be a portrait of masculinity after more than 30 years from the memorable year of 1989.
Before watching the Netflix’s Witcher, you should ask yourself – what exactly do you expect from this series? Are you crazy enough to require a good adaptation of the material…
In the movie, the “de-aging” technology was used on actors for the first time (with such a momentum) in history of the cinema. This age manipulation is interesting not only because of the effects, but also because it corresponds with the subject of the film.
The series has meticulously built the psychological portrait of its characters for 5 seasons (Walter White’s long path to violence, Walter-Jesse relationship on the master-student axis, father-son, and these are, of course, only two examples from many), leading to a mastery of – it would seem – simple cause and effect narrative and a logical change slowly taking place inside the characters. Meanwhile, the film doesn’t have time for this.
Is Joker just a warning against blind consumption, the deadly pursuit for wealth, ignoring the basic needs of people, etc., or pure glorification of violence?
Rambo remains, of course, a great, undemanding entertainment. The problem is that the further into the forest (jungle), the harder it is to swallow the bitter taste of ideology.
In his ninth full-length movie, Quentin Tarantino returns to the idea he played before in the Inglourious Basterds (2009). Against the backdrop of real, historical events, he builds a fictional story, slowly connecting puzzle pieces together for the construction of alternative reality. Here’s how a gu
Many words have already been said about Midsommar, the latest film by one of the leading creators of A24 stable, Ari Aster. You can focus on the analysis proposed by the creator himself, that is – as Aster puts it – “apocalyptic breakup movie”, a parabola of toxic relationships, or a grotesque film that is entering the foreground and a surprisingly apt trip towards cultural anthropology.
It was probably only a matter of time before an interactive movie appeared on one of big streaming platforms. The online environment seems to be ideal for interaction with the viewer, who will decide the hero’s fate with one click.
TellTellingCinema is a non-cyclical series of podcasts devoted to cinema related issues.
In the second episode I talk about the 93th Academy Awards and the presence of disabled people during the gala.
The post TellTellingCinema: Oscars and disabled people first appeared on Zawieszony.pl.
