Border places – “The Lighthouse” review
Eggers’ heroes go to border places where none of the worlds has full influence, but constantly fights and clashes with the other side. These are places where myths, oral traditions, beliefs and stories live.
Mummification or rejuvenation? “The Irishman” review
In the movie, the “de-aging” technology was used on actors for the first time (with such a momentum) in history of the cinema. This age manipulation is interesting not only because of the effects, but also because it corresponds with the subject of the film.
When Emotions Explode – Bartosz Kruhlik’s “Supernova” review
Bartosz Kruhilk, debuting as a director with his Supernova, seems to be well aware of the tensions that lie in Polish society. The young artist bravely scratches the wounds and sense of injustice and builds a simple but surprisingly effective thriller that has the viewers on the edge of their seats.
Free Market, Enslaved People – Ken Loach’s “Sorry We Missed You” review
The new film by the two-time winner of the Golden Palm includes not only the story of an employee who falls into the trap of working under a private franchise (unwittingly giving up his employee rights to “work for himself”), but also a classic family drama.
The Cinema of Shortage – Jan Komasa’s Corpus Christi review
The Polish candidate for the Academy Award, Jan Komasa’s Corpus Christi, is a film that, at first glance, fulfills a wish for such Polish socially involved cinema that could deconstruct the society’s relations of power. A cinema that could criticize closed to human needs clergy and authorities which are traditionally caring only for their own interests. In fact, Komasa’s latest work fulfills this dream only on paper.
Girl With a Pearl – Kantemir Balagov’s Beanpole review
In Beanpole, the Russian candidate for the Academy Award, the world is drawn exactly as Dutch paintbrush masters have done it so many years ago. This is the world of ordinary women performing ordinary activities in soft light, which timidly bursts through the windows into the charming rooms of Leningrad’s tenement houses.
The White Narcissus – Todd Phillips’ Joker review
Is Joker just a warning against blind consumption, the deadly pursuit for wealth, ignoring the basic needs of people, etc., or pure glorification of violence?
Rambo: Last Blood – How Much Rambo is in Rambo
Rambo remains, of course, a great, undemanding entertainment. The problem is that the further into the forest (jungle), the harder it is to swallow the bitter taste of ideology.
Pioneers of the New Frontier – James Gray’s Ad Astra review
Ad Astra presents the “near future” of human civilization, when the colonization of nearby planets will become a way to acquire valuable resources and expansion of space appropriated by man, the expansion of capitalism.
Parasites of all Countries, Unite – Bong Joon-hoo’s Parasite review
When I went to watch Parasite I expected many things. I expected the Korean artist to have fun with film genres, just as he did in his previous works. I expected – as in Snowpiercer – a strongly outlined class conflict and a clear devaluation of the forces (mainly the capital) behind capitalism as a system.
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