“The Metamorphosis of Birds” is like a time capsule sent into space, like a condensed record of human experiences. It is like a “saudade”…
Rosi builds his documentary with a great visual reverence, devoting most of his time to search for beauty in real-life drama. But it was precisely this contrast…
In Lois Patiño’s Red Moon Tide lies a threat – a terrifying force that stops time, which slowly consumes the meaning of life and compels it to stay in an endless stillness.
New Order is a frighteningly up-to-date film, after all, the thriller dynamics fits perfectly into the everyday life of all those who live in conflict with the state and harmful social systems that do not affect only the privileged.
The film was shot by Alzakout herself, when she fled Syria with other refugees in 2015, and the boat they were sailing sank near the coast of Greece.
The autothematic thread (the act of filming) smoothly passes into the documentary, creators collaborating with the local community, and the story of the beginnings of homo sapiens mixes with the experience of modern tourism – both local (the girl following the trail of her parents’ love) and postcolonial (the couple tourists from the United States who can only get along in their own language).
I hold to the principle that if I start watching a movie, I watch it to the end, so I feel a certain obligation to explain why I actually left Bird Talk.
30-year-old director is balancing on the edge of reality very well. He can hypnotize the viewer, strengthen the projection-identification (3D works very strongly here), the viewer’s bond with the hero and the impression of intermingling worlds.
We can rarely find a director who not only creates a good film, but is also able to clearly present his or her intellectual foundation, which, moreover, is noticeable on the screen. This is what the young artist Eni Sendijarević managed to do in Take Me Somewhere Nice.
Olivier Laxe’s Fire Will Come proves that neomodernist cinema does not necessarily have to be lengthy. The latest film by the creator of warmly received Mimosas (NH16) is a showcase of neomodernism.
TellTellingCinema is a non-cyclical series of podcasts devoted to cinema related issues. In the first episode I discuss the exploitation of women (and not only) in cinema (and not only).
The post TellTellingCinema: Women, Patriarchy, Toxic Masculinity first appeared on Zawieszony.pl.
