Before watching the Netflix’s Witcher, you should ask yourself – what exactly do you expect from this series? Are you crazy enough to require a good adaptation of the material…
What is surprising from the very beginning in a game which does not have a super-efficient weed uprooting system is that the eponymous kind words actually absolutely dominate communication between players.
The recipe is very simple – we have won a special workers’ lottery and we must play the role of an immigration officer on the border of two familiar-sounding countries hating each other: Arstotzki and Kolechia.
Imagine a world taken alive from Cormac McCarthy’s prose. An isolated, strange, disturbing world in which you can feel the atmosphere of the end of the road – a bit apocalyptic, a bit of being “on the other side”, in magical space, a bit of stubborn, desperate survival in a gloomy, cruel, lonely poverty. It is a world in which the past blends with the present, in which the tragedy likes to be reminded of and relived again – like a return to alcohol addiction.
Getting Over It With Bennett Foddy is an unique, critical commentary on contemporary digital culture.
