14. AfryKamera: Prophecies and Empty Shells
Amjad Abu Alala creates a portrait of a conservative society in which the hypocrisy is clearly visible and the threshold of freedom cannot be crossed so easily.
14. AfryKamera: between blaxploitation and blaxploitation
The film by the South African director can be seen as a lost work of blaxploitation from the 70s. There is some charm in it, but also some doubt.
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