This is probably the only list I will ever create with as many as 5 Netflix movies. In 2021, I wish all of us a quick end to all pandemics and plague.
There is no doubt that VR has opened new avenues for apologists for immersive interactivity in the cinema. The film diegesis opens up to viewers…
Regardless of the answer, “I’m Thinking of Ending Things” can no doubt be called Kaufman’s solipsistic fantasy. Although we do not know who is looking, we know that this is a lonely, introverted person (…)
“Planet of the Humans” exceeded the threshold of 6 million views and grew a thick layer of controversy around itself. Although Moore has accustomed viewers…
Such was the cinema of Theodoros Angelopoulos. Deeply humane, reaching down to the roots of the soul, touching sensitive, vibrating hearts…
Pálmason’s work can be treated as a deconstruction of traditionally understood masculinity, and the struggle of the main character as part of the process of breaking this pattern.
The world of “Les Misérables” is a world taken straight from a mediocre rap song. It is not about a coherent social picture…
Gerwig is perhaps the first of Alcott’s adapters who could read between the lines – as if Alcott’s novel had to wait for the right times and sensitivity. As if it had to wait for a woman.
“Proxima” tells the story of the astronaut, Sara (the wonderful Eva Green), who tries to combine dedication to her work and the urge to cross the new frontier with a sense of maternal duty and love for her daughter, Stella.
Mendes starts well, trying to portray the experience of war, the threat of waiting for conflict resolution and life in the trenches. What’s more, it uses a monumental mastershot extended to the length of the entire film.
TellTellingCinema is a non-cyclical series of podcasts devoted to cinema related issues. In the first episode I discuss the exploitation of women (and not only) in cinema (and not only).
The post TellTellingCinema: Women, Patriarchy, Toxic Masculinity first appeared on Zawieszony.pl.
