An uncertain youth turns into an old age full of grief, when life appears as an unlucky series of events that prevents from making the decision of choosing a right life partner.
In his Venice-award-winning “The Wasteland”, Ahmad Bahrami updates the image of Iran we are accustomed to at Western festivals.
“Gerda” by Natalya Kudryashova is a clash of a delicate, innocent soul with wild everyday life in which one has to fight for survival.
If we were to imagine a slow cinema-style sitcom, it would be “The Girl and the Spider”.
Lipman mixes various orders by breaking the fourth wall, giving dolls a status equal to those of puppeteers, reviving them not only physically…
This is probably the only list I will ever create with as many as 5 Netflix movies. In 2021, I wish all of us a quick end to all pandemics and plague.
For Soda, the prism of the camera is a tool for learning about the world from the level of carte blanche, from the level of a child looking at it with senses and emotions, not experience.
“Miso” means “happiness”. This is the name of the main character, although she is far from experiencing this feeling. There is no time for this, because from morning to night…
Mikami is a former yakuza who has been released after 13 years of prison. Despite the fact that the protagonist does not show special remorse for the murder he did years earlier, he decides to try to start life anew, this time legally, honestly.
“Verdict” is a shocking film that takes no prisoners. Raymund Ribay Gutierrez draws his story with such ruthless, naturalistic at times, firmness…
TellTellingCinema is a non-cyclical series of podcasts devoted to cinema related issues.
In the second episode I talk about the 93th Academy Awards and the presence of disabled people during the gala.
The post TellTellingCinema: Oscars and disabled people first appeared on Zawieszony.pl.
