Du Feng talks about the eponymous secret Nüshu alphabet, traditionally inaccessible to men, practiced only by women, but she does it in the Western fashion, falling into a trap…
An uncertain youth turns into an old age full of grief, when life appears as an unlucky series of events that prevents from making the decision of choosing a right life partner.
For Soda, the prism of the camera is a tool for learning about the world from the level of carte blanche, from the level of a child looking at it with senses and emotions, not experience.
“Miso” means “happiness”. This is the name of the main character, although she is far from experiencing this feeling. There is no time for this, because from morning to night…
Mikami is a former yakuza who has been released after 13 years of prison. Despite the fact that the protagonist does not show special remorse for the murder he did years earlier, he decides to try to start life anew, this time legally, honestly.
“Verdict” is a shocking film that takes no prisoners. Raymund Ribay Gutierrez draws his story with such ruthless, naturalistic at times, firmness…
There is no doubt that VR has opened new avenues for apologists for immersive interactivity in the cinema. The film diegesis opens up to viewers…
“Beauty Water” by Cho Kyung-hun is an animation involved in the fight against the universal perception of human beauty and media patterns…
The director moved back in her creative development to her teenage years, as if she was no longer able to use the mature, self-developed language of the film.
The Tibetan creator is looking at the conflict arising from the meeting of customs, beliefs and conservative culture with Chinese one-child policy.
TellTellingCinema is a non-cyclical series of podcasts devoted to cinema related issues.
In the second episode I talk about the 93th Academy Awards and the presence of disabled people during the gala.
The post TellTellingCinema: Oscars and disabled people first appeared on Zawieszony.pl.
