For Soda, the prism of the camera is a tool for learning about the world from the level of carte blanche, from the level of a child looking at it with senses and emotions, not experience.
“Miso” means “happiness”. This is the name of the main character, although she is far from experiencing this feeling. There is no time for this, because from morning to night…
Mikami is a former yakuza who has been released after 13 years of prison. Despite the fact that the protagonist does not show special remorse for the murder he did years earlier, he decides to try to start life anew, this time legally, honestly.
“Verdict” is a shocking film that takes no prisoners. Raymund Ribay Gutierrez draws his story with such ruthless, naturalistic at times, firmness…
There is no doubt that VR has opened new avenues for apologists for immersive interactivity in the cinema. The film diegesis opens up to viewers…
“Beauty Water” by Cho Kyung-hun is an animation involved in the fight against the universal perception of human beauty and media patterns…
The director moved back in her creative development to her teenage years, as if she was no longer able to use the mature, self-developed language of the film.
The Tibetan creator is looking at the conflict arising from the meeting of customs, beliefs and conservative culture with Chinese one-child policy.
Bulbul Can Sing talks about the tragedy of lost youth, taken by the conservative society. Adolescence, although it follows its natural path – the first, innocent love affairs, looks, and meetings – is brutally stopped.
Although SABU follows the well trodden paths – a portrait of an emotional killer is nothing new – he does it at the highest level, combining genres at least as efficiently as Bong Joon-ho (Parasite, Snowpiercer) and proving that using and playing with old clichés and narrative patterns do not have to be something bad.
