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13. Five Flavours Asian Film Festival: Fruit Chan, slums and prostitutes

Fruit Chan relishes violence in his film. Although he himself claims that his film is not anti-feminist, it’s hard not to get the impression that it is at least offensive. Heroes do not cause sympathy. This is a problem because they deviate from the norm. One is a cripple, the other a fool, the third a nitwit. It is the same different world we have met in the artist’s earlier films. This time, however, it is a world that causes more contempt than compassion or interest.

Ukraine, Wasteland and Slow Cinema

It is year 2025, Eastern Ukraine. One year has passed since the end of the devastating war. The deserted, almost devoid of vegetation landscape, which lacks potable water, is one huge battlefield, a minefield and a cemetery. Remnants of industry are withdrawing from the region along with people forced to abandon their former lives and set out to seek happiness elsewhere.

All Flavours of Pomegranate

Merab dreams of becoming a famous dancer. However, he has a problem, because in Georgian ballet, the most important thing is the exposition of male energy, and the boy has a talent for gentler movements. The hierarchy of desires will begin to change with the appearance of a new feeling – a desire.

Papicha, Made in France

Superficially, one cannot find any mistakes: the technical performance, image and sound quality, fact-based script or theme – inhumanly timed women in Algeria of 1997, when religious fundamentalism was becoming stronger – are pretty solid. But exactly this perfection is something that completely breaks the film’s credibility. The heroines of Papicha are not only written as in the American film, but also were filmed as so.

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Współprazuję z:

Laura Przybylska
Laura Przybylska

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