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The White Narcissus – Todd Phillips’ Joker review
Is Joker just a warning against blind consumption, the deadly pursuit for wealth, ignoring the basic needs of people, etc., or pure glorification of violence?
Kind Words – Experimental Indie Game That Will Melt Ice from Your Hearts
What is surprising from the very beginning in a game which does not have a super-efficient weed uprooting system is that the eponymous kind words actually absolutely dominate communication between players.
Rambo: Last Blood – How Much Rambo is in Rambo
Rambo remains, of course, a great, undemanding entertainment. The problem is that the further into the forest (jungle), the harder it is to swallow the bitter taste of ideology.
Pioneers of the New Frontier – James Gray’s Ad Astra review
Ad Astra presents the “near future” of human civilization, when the colonization of nearby planets will become a way to acquire valuable resources and expansion of space appropriated by man, the expansion of capitalism.
Parasites of all Countries, Unite – Bong Joon-hoo’s Parasite review
When I went to watch Parasite I expected many things. I expected the Korean artist to have fun with film genres, just as he did in his previous works. I expected – as in Snowpiercer – a strongly outlined class conflict and a clear devaluation of the forces (mainly the capital) behind capitalism as a system.
We Get Such Clergy’s Critique As We Deserve – François Ozon’s By The Grace of God review
In recent years, viewers have been able to come into contact with different views on the still present – unfortunately – problem of sexual abuse by people of the Church, which I mentioned while reviewing Smarzowski’s Clergy. There are as many sensitivities as many looks on the subject.
The Dark Crystal – Our Own Reptiles
One could get an impression that there are few “childhood films” that age as gently as Dark Crystal. As I return to it after years, it still suprises, draws my attention and scares me. And what is more important – the world is still alive.
Pain and Glory: Sentimental Autobiography
If someone asked me to describe in one word the character of Pedro Almodóvar’s cinema, I would say that it is sentimental. I could also invite that person to the Pain and Glory screening – a movie which is not only autotherapeutically approaching the artist’s biography, but also telling about the relationship between cinema and memories.
Moving Pictures from Locarno: Monkey Journey in Time
Like Louise by the Shore (2016), the new work of the French animator, Jean-François Laguionie (this time cooperating with Xavier Picard), La Voyage du Prince, is an extremely reflective film. Again the main character is an older person – or rather a monkey – and again the picture largely consists of comments, observations and memories.
Postcard from Hollywood 69′
In his ninth full-length movie, Quentin Tarantino returns to the idea he played before in the Inglourious Basterds (2009). Against the backdrop of real, historical events, he builds a fictional story, slowly connecting puzzle pieces together for the construction of alternative reality. Here’s how a gu